The Hunger Games is a 2008 dystopian novel by the American writer Suzanne Collins. It is written in the voice of 16-year-old Katniss Everdeen, who lives in the future, post-apocalyptic nation of Panem in North America. The Capitol, a highly advanced metropolis, exercises political control over the rest of the nation. The Hunger Games is an annual event in which one boy and one girl aged 12–18 from each of the twelve districts surrounding the Capitol are selected by lottery to compete in a televised battle to the death.
The book received mostly positive responses from major reviewers and authors. It was praised for its plot and character development. In writing The Hunger Games, Collins drew upon Greek mythology, Roman gladiatorial games, and contemporary reality television for thematic content. The novel won many awards, including the California Young Reader Medal, and was named one of Publishers Weekly's "Best Books of the Year" in 2008.
The Hunger Games was first published in hardcover on September 14, 2008, by Scholastic, featuring a cover designed by Tim O'Brien. It has since been released in paperback and also as an audiobook and ebook. After an initial print of 200,000, the book had sold 800,000 copies by February 2010. Since its release, The Hunger Games has been translated into 26 languages, and publishing rights have been sold in 38 territories. The novel is the first in The Hunger Games trilogy, followed by Catching Fire (2009) and Mockingjay (2010). A film adaptation, directed by Gary Ross and co-written and co-produced by Collins herself, was released in 2012.
Collins has said that the inspiration for The Hunger Games came from channel surfing on television. On one channel she observed people competing on a reality show and on another she saw footage of the invasion of Iraq. The two "began to blur in this very unsettling way" and the idea for the book was formed. The Greek myth of Theseus served as a major basis for the story, with Collins describing Katniss as a futuristic Theseus, and Roman gladiatorial games provided the framework. The sense of loss that Collins developed through her father's service in the Vietnam War was also an influence on the story, with Katniss having lost her father at age 11, five years before the story begins. Collins stated that the deaths of young characters and other "dark passages" were the most difficult parts of the book to write, but that she had accepted that passages such as these were necessary to the story. She considered the moments where Katniss reflects on happier moments in her past to be more enjoyable.
See also: The Hunger Games universe
The Hunger Games takes place in a nation known as Panem, established in North America after the destruction of the continent's civilization by an unknown apocalyptic event. The nation consists of the wealthy Capitol and twelve surrounding, poorer districts under the Capitol's dictatorial control. The Capitol exploits the districts for their natural resources and cheap labour.District 12 is located in the coal-rich region that was once Appalachia, while the Capitol is located in the Rocky Mountains.
As punishment for a past rebellion against the Capitol, one boy and one girl between the ages of 12 and 18 from each district are selected by an annual lottery to participate in the Hunger Games, a contest in which the "tributes" must fight to the death in an outdoor arena until only one remains. The event is televised.
The story is narrated by 16-year-old Katniss Everdeen, a girl from District 12 who volunteers for the 74th Hunger Games in place of her 12-year-old sister, Primrose. The male tribute is Peeta Mellark, a former schoolmate of Katniss who once gave her bread from his family's bakery when her family was starving.
Katniss and Peeta are taken to the Capitol. In the few days before the Games start, they are advised and supported by a team consisting of their drunken mentor, Haymitch Abernathy, the sole living District 12 victor of the Hunger Games; Effie Trinket; and two fashion stylists and three prep workers who help each tribute look his or her best. Katniss's stylist, Cinna, is the only person at the Capitol she considers a friend. They are also introduced to the general public, given some training, and evaluated by the Gamemakers. Katniss and, to a lesser extent, Peeta set themselves apart from the other tributes. Rue, the petite 12-year-old girl tribute from District 11, takes to following them around.
Each tribute is interviewed on television by Caesar Flickerman; they use the opportunity to try to obtain "sponsors", who can send them potentially life-saving gifts during the Games. In his interview, Peeta reveals his longtime unrequited love for Katniss. At first, Katniss believes this is simply a ploy to gain sponsors and make her let her guard down. (Much later, she comes to accept he is sincere.) Haymitch promotes their image as "star-crossed lovers".
Nearly half the tributes are killed in the first day of the Games, fighting over the weapons and supplies strewn around their starting point. Katniss nearly dies, ignoring Haymitch's advice to flee immediately. She uses her well-practiced hunting and survival skills to hide in the woods. A few days later, an artificial fire drives Katniss toward the others. She is spotted and treed by the "Careers" (tributes from the richer, loyal districts who have trained intensively for the Games) ... and Peeta, who seems to have allied with them. Rue is hiding in a nearby tree. Silently, she directs Katniss's attention to a trackerjacker nest. Katniss saws through the branch holding the nest, sending it plummeting down. The venom of the flying insects kills one girl and drives the others away. However, Katniss is stung herself and begins hallucinating. Peeta returns, but instead of killing her, he tells her to run away.
She and Rue become allies and friends, but Rue is later fatally wounded by another tribute, whom Katniss kills with an arrow. Katniss sings to Rue until she dies and spreads flowers over the body to show her defiance against the Capitol. In an unprecedented move, Rue's district sends Katniss a gift of bread.
Then a rule change is announced, allowing the tributes from the same district to win as a couple. Katniss finds and nurses a seriously wounded Peeta, while continuing to act the part of a girl in love to gain gifts. When the Gamemakers announce that what each contestant needs most will be provided at a feast, Katniss risks her life to obtain medicine for Peeta. She is pinned to the ground by Clove, who gloats about Rue while toying with the helpless Katniss. That talk costs Clove her life, however; Thresh, the male District 11 tribute, kills her, but spares Katniss - once - for Rue's sake. The medicine saves Peeta's life.
Finally, Katniss and Peeta are the last two survivors, but the Gamemakers cancel the rule change in an attempt to force them into a dramatic finale, in which one must kill the other. Instead, Katniss defiantly retrieves highly poisonous "nightlock" berries and offers half to Peeta. Realizing that Katniss and Peeta intend to commit suicide, the Gamemakers announce that they are the victors of the 74th Hunger Games.
Although she receives a hero's welcome, Katniss is warned by Haymitch that she has now become a target after defying the Capitol so publicly. Afterward, Peeta is heartbroken when he learns that her actions in the arena were part of a calculated ploy to gain sympathy from the audience. However, Katniss is unsure of her own feelings.
In an interview with Collins, it was noted that the novel "tackles issues like severe poverty, starvation, oppression, and the effects of war among others." The novel deals with the struggle for self-preservation that the people of Panem face in their districts and the Hunger Games in which they must participate. The citizens' starvation and their need for resources, both in and outside of the arena, create an atmosphere of helplessness that the main characters try to overcome in their fight for survival. Katniss needs to hunt to provide food for her family, resulting in the development of skills that are useful to her in the Games (such as her proficiency with the bow and arrow), and represents her rejection of the Capitol's rules in the face of life-threatening situations. On the subject of the Games' parallels with popular culture, Darren Franich of Entertainment Weekly writes that the book "is an incisive satire of reality television shows", and that the character of Cinna "almost seems like a contestant on a fascist version of Project Runway, using Katniss' outfits as a vehicle to express potentially dangerous ideas."
The choices the characters make and the strategies they use are often morally complex. The tributes build a personality they want the audience to see throughout the Games. Library journal Voice of Youth Advocates names the major themes of The Hunger Games as "government control, 'big brother', and personal independence." The trilogy's theme of power and downfall, similar to that of Shakespeare's Julius Caesar, was pointed out by its publisher Scholastic. Laura Miller of The New Yorker finds the author's stated premise of the Games –an exercise in propaganda and a "humiliating as well as torturous [...] punishment" for a failed uprising against the Capitol many years earlier– to be unconvincing. "You don't demoralize and dehumanize a subject people by turning them into celebrities and coaching them on how to craft an appealing persona for a mass audience." But the story works much better if the theme is vicissitudes of high school and "the adolescent social experience". Miller writes:
"The rules are arbitrary, unfathomable, and subject to sudden change. A brutal social hierarchy prevails, with the rich, the good-looking, and the athletic lording their advantages over everyone else. To survive you have to be totally fake. Adults don't seem to understand how high the stakes are; your whole life could be over, and they act like it's just some "phase"! Everyone's always watching you, scrutinizing your clothes or your friends and obsessing over whether you're having sex or taking drugs or getting good enough grades, but no one cares who you really are or how you really feel about anything."
Donald Brake from The Washington Times and pastor Andy Langford state that the story has Christian themes, such as that of self-sacrifice, which is found in Katniss' substitution for her younger sister, analogous to the sacrifice of Jesus as a substitute for the atonement of sins. Brake, as well as another reviewer, Amy Simpson, both find that the story also revolves around the theme of hope, which is exemplified in the "incorruptible goodness of Katniss' sister, Primrose." Simpson also points to events similar to the Passion of Jesus; in the Games, "Christ figure" Peeta Mellark is stabbed after warning Katniss to flee for her life, and is then buried in the ground and placed in a cave for three days before emerging with a new lease on life. Further, she finds that the Christian image of the Bread of Life is used throughout The Hunger Games; in the story, Peeta gives Katniss a loaf of bread, saving the girl and her family from starvation.
After writing the novel, Collins signed a six-figure deal for three books with Scholastic. First published as a hardcover in the United States on September 14, 2008, The Hunger Games had a first printing of 50,000 copies, which was bumped up twice to 200,000 copies. By February 2010, the book had sold 800,000 copies, and rights to the novel had been sold in 38 territories worldwide. A few months later, in July, the book was released in paperback.The Hunger Games entered the New York Times Best Seller list in November 2008, where it would feature for over 100 consecutive weeks. By the time the film adaptation of The Hunger Games was released in March 2012, the book had been on USA Today's best-sellers list for 135 consecutive weeks and has sold over 17.5 million copies.
The novel is the first in The Hunger Games trilogy; it is followed by sequels Catching Fire (2009) and Mockingjay (2010). In March 2012, during the time of The Hunger Games film's release, Scholastic reported 26 million Hunger Games trilogy books in print, including movie tie-in books.The Hunger Games (and its sequels) have sold exceptionally well in ebook format. Suzanne Collins is the first children's or young adult author to sell over one million Amazon Kindle ebooks, making her the sixth author to join the "Kindle Million Club". In March 2012, Amazon announced that Collins had become the best-selling Kindle ebook author of all time.
An audiobook version of The Hunger Games was released in December 2008. Read by the actress Carolyn McCormick, it has a total running time of eleven hours and fourteen minutes. The magazine AudioFile said: "Carolyn McCormick gives a detailed and attentive narration. However, she may rely too much on the strength of the prose without providing the drama young adult listeners often enjoy."School Library Journal also praised the audiobook, stating that "McCormick ably voices the action-packed sequences and Katniss's every fear and strength shines through, along with her doomed growing attraction to one of her fellow Tributes."
The Tim O'Brien-designed cover features a gold "mockingjay" – a fictional bird in The Hunger Games born by crossbreeding female mockingbirds and genetically engineered male "jabberjays" – with an arrow engraved in a circle. This is a depiction of the pin worn by Katniss into the arena, given to her by the District 12 mayor's daughter, Madge Undersee. The image matches the description of the pin that is given in the novel, except for the arrow: "It's as if someone fashioned a small golden bird and then attached a ring around it. The bird is connected to the ring only by its wing tips."
The Hunger Games has received critical acclaim. In a review for The New York Times, John Green wrote that the novel was "brilliantly plotted and perfectly paced", and that "the considerable strength of the novel comes in Collins's convincingly detailed world-building and her memorably complex and fascinating heroine." However, he also noted that, while allegorically rich, the book sometimes does not realize the allegorical potential that the plot has to offer and that the writing "described the action and little else."Time magazine's review was also positive, stating that it "is a chilling, bloody and thoroughly horrifying book" and praising what it called the "hypnotic" quality of the violence. In Stephen King's review for Entertainment Weekly, he compared it to "shoot-it-if-it-moves videogames in the lobby of the local eightplex; you know it's not real, but you keep plugging in quarters anyway." However, he stated that there were "displays of authorial laziness that kids will accept more readily than adults" and that the love triangle was standard for the genre. He gave the book a B grade. Elizabeth Bird of School Library Journal praised the novel, saying it is "exciting, poignant, thoughtful, and breathtaking by turns", and called it one of the best books of 2008.Booklist also gave a positive review, praising the character violence and romance involved in the book.Kirkus Reviews gave a positive review, praising the action and world-building, but pointed out that "poor copyediting in the first printing will distract careful readers–a crying shame".Rick Riordan, author of the Percy Jackson & the Olympians series, claims it is the "closest thing to a perfect adventure novel" he has ever read.Stephenie Meyer (author of the Twilight series) endorsed the book on her website, saying, "I was so obsessed with this book ... The Hunger Games is amazing."
The Hunger Games received many awards and honors. It was named one of Publishers Weekly's "Best Books of the Year" in 2008 and a The New York Times "Notable Children's Book of 2008". It was the 2009 winner of the Golden Duck Award in the Young Adult Fiction Category.The Hunger Games was also a "2008 Cybil Winner" for fantasy and science-fiction books along with The Graveyard Book, one of School Library Journal's "Best Books 2008", and a "Booklist Editors' Choice" in 2008. In 2011, the book won the California Young Reader Medal. In the 2012 edition of Scholastic's Parent and Child magazine, The Hunger Games was listed as the 33rd-best book for children, with the award for "Most Exciting Ending". The novel is one of the top 5 best selling Kindle books of all time. However, the novel has also been controversial with parents; it ranked in fifth place on the American Library Association's list of frequently challenged books for 2010, with "unsuited to age group" and "violence" being among the reasons cited.
Similarities of The Hunger Games to Koushun Takami's 1999 novel Battle Royale have been noted. Collins stated that she "had never heard of that book or that author until my book was turned in. At that point, it was mentioned to me, and I asked my editor if I should read it. He said: 'No, I don't want that world in your head. Just continue with what you're doing'."  Susan Dominus of The New York Times reports that "the parallels are striking enough that Collins's work has been savaged on the blogosphere as a baldfaced ripoff" of Battle Royale but argued that "there are enough possible sources for the plot line that the two authors might well have hit on the same basic setup independently."Stephen King noted that the reality TV "badlands" were similar to Battle Royale, as well as his own novels The Running Man and The Long Walk.
Main article: The Hunger Games (film)
In March 2009, Lions Gate Entertainment entered into a co-production agreement for The Hunger Games with Nina Jacobson's production company Color Force, which had acquired worldwide distribution rights to the novel a few weeks earlier. The studio, which had not made a profit for five years, raided the budgets of other productions and sold assets to secure a budget of $88,000,000 – one of its largest ever – for the film. Collins' agent Jason Dravis remarked that "they [Lionsgate] had everyone but the valet call us" to help secure the franchise. Intending the film to have a PG-13 rating, Collins adapted the novel for film herself, in collaboration with screenwriter Billy Ray and director Gary Ross. The screenplay remains extremely faithful to the original novel, with Ross saying he "felt the only way to make the film really successful was to be totally subjective" in its presentation of events, echoing Collins' use of first personpresent in the novel.
Twenty-year-old actress Jennifer Lawrence was chosen to play Katniss Everdeen. Though Lawrence was four years older than the character when filming began, Collins felt the role demanded "a certain maturity and power" and said she would rather the actress be older than younger. She added that Lawrence was the "only one who truly captured the character I wrote in the book" and that she had "every essential quality necessary to play Katniss." Lawrence, a fan of the books, took three days to accept the role, initially intimidated by the size of the production.Josh Hutcherson and Liam Hemsworth were later added to the cast, in the roles of Peeta and Gale, respectively. Production began in late spring 2011 and the film was released on March 23, 2012. The film's opening weekend brought in a non-sequel record $152.5 million (USD) in North America.The Hunger Games: Catching Fire, based on the second novel in the series, was released the following year on November 22, 2013.
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The Duplicity and Power of Appearances
Right from the start, Katniss and many of the people close to her must maintain appearances that often contrast with reality, and as the story progresses we see several cases of characters who appear to be one thing but turn out to be quite another. To begin with, Katniss and Peeta have to act as if they’re in love so that the Capitol can keep up the lie that their threat of suicide at the end of the previous novel was simply the desperate act of two love-crazed teenagers and not a gesture of defiance. That fear speaks to the power of appearances, since as President Snow explains to Katniss, if people saw Katniss as a rebel, that alone could encourage the districts to revolt. Katniss, it turns out, has already become a symbol of the rebellion, but again the appearance doesn’t reflect the truth. Katniss has no involvement with any organized rebel movement and doesn’t even know one exists for most of the novel. She even spends the first part of the novel trying to appease President Snow and keeping up the love act with Peeta in the hopes of subduing any potential uprisings. (Admittedly, she isn’t very successful and actually does end up encouraging people to defy the Capitol.) In both situations, however, what’s important isn’t what Katniss actually believes or feels. Her value to both sides is primarily as a symbol, which suggests that her image is perhaps more powerful than she is herself.
Gradually, we learn that Katniss isn’t the only character maintaining a public persona that doesn’t correspond with reality. Plutarch Heavensbee, the new Head Gamemaker, is revealed to be part of the rebellion. Finnick isn’t the shallow womanizer he appears to be, and several tributes, including some like Finnick who’ve enjoyed fame and wealth in the Capitol, are actually part of the rebellion. Many of the events in the Quarter Quell also turn out to be covers for hidden agendas. The tributes’ efforts to keep Peeta alive have nothing to do with turning him into a leader, as Katniss believes, but are just to keep Katniss cooperating with them. Some aspects of the Quarter Quell itself were even engineered to help the tributes escape, notably the wire Beetee invented being included among the weapons. The last chapters of the novel largely center on Katniss finally coming to understand the truth of many of these events. In most of these cases, the reason for the false public image is fear of the Capitol, which harshly punishes dissent of any sort. The power of the lie is that, as long as the Capitol believes it has control, it allows the rebels to work without detection to undo that control.
The Struggle for Control
Much of the conflict in the novel revolves around a struggle for control, with the Capitol always at one end trying to maintain control and various characters or groups on the other trying to take back control. Katniss’s confrontation with President Snow essentially centers on this idea. He wants to dictate nearly everything she does even down to what she wears, as when he selects the dress she wears for the tributes’ interview with Caesar Flickerman. The control President Snow exerts over Katniss parallels the control the Capitol wants over all the people in Panem. Through its laws and the squads of Peacekeepers it deploys to enforce them, the Capitol systematically maintain control over all the districts. Any act that defies the Capitol’s control results in harsh punishment. Notably, the Hunger Games themselves are meant as a reminder to the people that they have no control and that they have to obey the Capitol.
All the forms of rebellion we see in the novel are variations on people regaining, or at least fighting to regain, control. When Katniss tells Peeta she doesn’t want to be a pawn in the Capitol’s Games, she’s saying she doesn’t want to be controlled. When we see how Haymitch rebelliously won his Games, it was by finding a loophole in the Capitol’s control—since the Capitol never intended the force field to be used as a weapon—and exploiting it. The reason the mockingjay is symbolic is that it represents the Capitol’s lack of control, since the bird was actually an unintended consequence of a weapon created for use against the rebels that ultimately backfired. What the rebels want is to retake control of their lives and no longer have the Capitol forcing them to live by its restrictive laws and do things like sacrifice their children in the Hunger Games.
This fight for control is precisely why Katniss has become a symbol of the rebellion. At the end of the Hunger Games, when she had the idea for her and Peeta to commit suicide, she was essentially rejecting the rules set up by the Capitol. In doing so, she denied the Capitol control of her life and took it back into her own hands. The act evident set a precedent for all the viewers watching at home, suggesting that they too could take back control from the Capitol.
The Ignorance of the Privileged
The privileged of Panem are chiefly those people who live in the Capitol, and their ignorance stems from the fact that they’re insulated from the hardships faced by the people in the districts. They are relatively wealthy and always have enough to eat. They aren’t forced into exhausting and often dangerous labor. Their children also don’t have to participate in the Hunger Games. Because their lives are so comfortable and secure, they generally don’t have to think of things that people in the districts think of, such as how to feed their families. As a result, many if not all are oblivious to the harsh realities that most of the people in Panem face.
More main ideas from Catching Fire